High resolution Delay for broadcast master control and linking. Delay-time may be adjusted while signal is being passed, thanks to a low artifact processing technique. The delay is easily adjustable from the front panel using dedicated Nudge keys, Encoder and Tap function. Increments can be set in ms, fields or frames, and the unit delays linear audio as well as Dolby E or AC3 streams. Remote control of by-pass and delay time is available through GPI or RS485 inputs. Balanced and unbalanced AES/EBU I/O is standard, and outputs are always active. Sample rate conversion can be invoked when using digital inputs.
Analog I/O is standard, and outputs are always active. The 24 bit converters are scaled in the analog domain, with scaling under preset control, to minimize noise and maximize headroom under all operating conditions.
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Meet us at IBC 2012
Check how high the bar is set in loudness metering and processing. Visit us at this year's IBC. We are proud to display a wide range of loudness meters that are fully compliant with all of the major international broadcast standards such as EBU R128, ATSC A/85 and ITU-R BS.1770-2.
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Software
More Power to The P2
Acclaimed P2 loudness correction and optimization processor is upgraded to include ITU-R BS.1770-2, EBU R128, ATSC A/85 and TR-B32 based signal handling.
J. Mark King, broadcast mixer for the recent star-studded Annual Academy of Country Music Awards from the MGM Grand on Sunday May 18, depended upon a TC Electronic DB-8 Television Processor to automatically upmix his two-channel stereo music mixes into full 5.1-channel surround sound.
